rain in my heart update mark
In The Cove (2009) we needed to see how they got the cameras where they did, but in this film I felt that Watson should have left his comments for the bonus DVD. Several times in the documentary we see him struggle to make decisions on how he will proceed with the footage he has. In many instances Watson reflects on his project and notes the issues he is creating by making this documentary; however it does not effect his ability to complete the film. He puts himself in the film to explain how he felt at the time, allowing the audience to be involved in his own personal emotions whilst watching his film. Rain in my Heart is a powerfully, touching film. This was mostly due to the fact that obviously he was filming people with huge vulnerability in their lives, therefore he was careful not to portray the situation as taking advantage of. An example being Vanda and the way he gets to know her and in the end explores her painful past. It is not a pleastant sound. The edit involves numerous repeats of dialogue from the patients, which is played at random and juxtaposing episodes, some even without the visuals which make it seem part of the dialogue (for example, when Vanda slams the phone down in anger). There are many intimate moments within the documentary, such as the funeral of one of the subjects that had passed due to the abuse of alcohol. Therefore, maybe his techniques did actually work quite well, although flawed and subjective in places. Watson most definitely fulfilled what he set out to do and in order to do that, I feel he had to push the boundary as far as he did to achieve this hard-hitting documentary. I wanted to look away and the only reason I didnt was because I felt (as i think Watson does) an obligation to make a point of the four subjects publicized suffering. That he doesnt so anything to stop them drinking is a part of their own agency, and I believe shows more respect than if he had intervened. This shows how relationships are built up when filmmaking and how subjects and even the interviewer forms attachments. Although we see Paul telling Vanda that he will ask her later whether he should use this footage in the film, we do not know if he actually did it. Rain in My Heart over steps the line between subject and film-maker relationship and Paul Watson in the end exploits his subjects. So I didnt think that he has exploited his subject at all as this is what we as viewers needed to see. He made this film to show people about the effects of alcoholism, and I think he achieved his goal. However, many critics point out how these subjects are all vulnerable and incapable of really understanding what they are signing themselves up for. francescamancini88. Firstly there is very little music (it sounded like the grating pop track at Nigels funeral was actually being played live on a stereo) The camera work seems to lack precision and is only there for immediacy. It would have shown their time off-screen, sitting in a dressing room, preparing themselves to go on-camera, also chatting and gossiping, then being lined up by the assistant director and going through the magic momentthe transformation into character. He later also mentions that one woman, who had been born in a concentration camp, had a complete breakdown while doing that scene.. It follows 4 alcoholics from the hospital to their homes. Paul Watson was capturing the real lives of these alcoholics, he was not interfering with their actions and allowed alcoholics who were told if they drink anymore they could die, to drink. I immediately recognised the castle in the establishing shot in the opening sequence and was taken aback that this documentary was made literally where I have grown up and gone to school. I think theyre happy for the attention, to have someone to listen. However, what I think strongly outweighs this are the positive effects of the film in terms of education. These cut ins of his soul searching questions illustrate exactly his own empathy towards the subject at hand. It is true that there are not many cut ins of his own questioning however Watson thought it be inappropriate to constantly show his own personal struggles when his subjects are undergoing way more traumatic psychological illnesses. It cant be argued that the documentary would have given Watson some amount of attention from viewers for filming subjects in the vulnerable state they were in, its in this sense that the word exploitation would be more appropriate. And it tells us a lot; it is educational, eye opening and informative. In addition, it appears that Watson is aware of the delicate nature of the documentary and embraces this by stating that all the filming was agreed by the sufferers, in order to shy away accusations that he is exploiting the individuals which he observes. This is a bit more than just explaining the distress the subjects are going through. Explaining hell it is! Watson had to exploit his subjects in order to create such an amazing film. Rain in my Heart (Full). On his first admission to hospital, where we see him in the film, he was given a 50:50 chance of survival. I remember feeling genuinely scared that some of the subjects were going to die: such as when Mark was at home and was continuing to drink in excess and constantly vomiting. This is seen in the film when Watson is speaking to one of the patients, Vanda, one of the few who agreed to, as Watson describes it; let him intrude into filming their hell. Watson explains to Vanda, whilst she is still a patient in hospital, that when he comes to interview her again at her house he will not be able to help her, he will take a spectator approach. To watch this sequence of Watson, truthfully revealing his professional flaw, for me, was quite humbling. If Watson couldnt do that, it wouldve been a pointless project. Watson creates this feeling in his editing, which makes his points and connections better but is never pleasant as an aesthetic experience. The intrusion before we learn of sexual abuse is fitting because it prepares us for the horrible, rather than let the scene with Vanda play out suddenly for shock value. The earliest version to survive in the Bible is Mark 's Gospel. He just shined a light on a topic a lot of people often avoid. It is clear to me throughout, both when talking to his subjects and when talking to the camera itself that he becomes both emotionally involved and also continuously checks that he is keeping to his promises. Dee3 Posts: 10. If he had interfered then he could have been potentially saving lives. However, I do not think that Watson intentionally tried to exploit his subjects. Rain In My Heart is not an easy documentary to watch. She then replies with a smirk, Obviously. As for Nigel, it can be said that he was exploited less than others, because his wife was constantly present, therefore she could control the actions of the filmmakers. When researching the film I found a web page (which is a old BBC one). (LogOut/ At first, I believe, Watson had every intention in trying to, in the most effective way possible, try and exploit his subjects. Therefore I agree that their lives were exposed (as they agreed and wanted them to be) but they were not harshly exploited by Paul. After all, I am satisfied by what Watson did to deal with accusations. For one the subjects were extremely vulnerable which raises the question on whether they were in the right state of mind to consent to being filmed and telling their story. But there is no evidence of this happening. Although it could be argued that this footage is showing Vanda what she is like when she is drunk, I would say that her answers might have been different if she was sober when she was asked them. Watson stated at the very beginning of the film that he would not intervene in the lives of the people he was filming and would not stop them from drinking if they relapsed. He is a quite good interviewer, especially in the interaction between him and the characters. I think it is not proper for observational documentary, Watson deliberately shows his audience of certain moments to lead them into a certain emotion, which i think might be too subjective. So I guess Im not satisfied with his attempts to explain himself during the film, but only because I think he didnt need to in the first place. Revisiting Rain. Also, later on the film when he asks of the liability of the life experiences she has told him, I felt it was very unnecessary to show her breaking down. It brought more power to the issues of alcohol and their lasting effects on the psyche. Rain In My Heart, was a very touching and eye opening film. At one point it says: This type of documentary is not the best way to explain or explore alcoholisms origins. I felt that already Watson was too close to his subjects to represent them how he originally intended to. Thus, having the camera in front of them made me feel that there was a sense of pressure on them to fulfil a certain image of an alcoholic. This can be seen when Watson is speaking to Toni about her addiction, something that Toni profusely denies she is. This for me was an awkward introduction to have with a subject you are going to see go through an emotional and dark period. Another point worth making is that every person has a different view of whats going too far. As much as rain can cause happiness, there are times when this phenomenon can cause distress. Hes film is an observational style and he stand back from the nature, but he needed to concern how he react when he encounter with ethincal problem. He interrogates the truth, not to exploit or harm the subjects in any way, but to try and uncover how and why these people fell into such a dark and alienated existence. Personally, I would much rather watch Robert Winstons documentary series on the human body which ended with the filming of a mans death, from cancer, than go Watsons questionable film techniques. Considering this film brings light to the mental conditions that tend to lead to alcoholism, then was Paul Watson in the right place to accept the consent from these people? Play over 265 million tracks for free on SoundCloud. I found a video called, Revisiting Rain in My Heart, in which Paul Watson revisits the surviving subjects from the film. The question of the ethics of filmmaking is clearly something that is troubling to Watson. About the same age as Vanda, Kath has spent more than a decade caring for an alcoholic. Director Paul Watson See production, box office & company info Add to Watchlist 5 User reviews Won 1 BAFTA Award 2 wins & 1 nomination total Photos Add photo More like this 6.7 He leads the interviewees go into their deep heart and gradually express their ideas. This allowed the subjects to be themselves around him as Mark said that he didnt hide his bottle of wine from Watson and the camera because this is what the film is all about. Filmed in 2006 the film. Read about our approach to external linking. The world was slowly healing. I thoroughly enjoyed this weeks viewing, I felt that it was very informative and educational to those who dont have much knowledge about alcoholism. I felt it did a fantastic job in warning people of the dangers of alcohol and addiction. Is it really more important that showing the dangerous of alcoholism by peoples moment who dying even ignore their life? But theres a film within and around the film, one that Steven Spielberg didnt make but that he or someone else should have made: Spielbergs List, the story of the casting call for the actresses who would be getting undressed and going into the gas chamber that turns out to be a shower. Nigel died during the course of filming Rain in my Heart, leaving Kath and two teenage children. Ive never seen alcoholism go to this extent. Join Date; 14th June, 2011. However to me I felt that this is in some sense of vital information that we needed as viewers to understand and try to identify and sympathize with the reasons to why this person relies on alcohol. Because the participants in the film are always in a very fragile state because of their problems, it makes the audience question can they actually give valid consent? Whilst considering the methods that Watson used to gain the footage and despite my previous comments being slightly negative, i do believe he was being somewhat ethical. Also when he went to Vandas house and interviewed her, he didnt stop her to drink alcohol. Please log in using one of these methods to post your comment: You are commenting using your WordPress.com account. At this point, i would say, at least, it demonstrates the serious damage of alcoholism to many people like me, especially for teengers. By making such a real and baring all film, he is raising awareness about the reality of alcoholism and hopefully opening the eyes of alcoholics watching it and even doctors watching it, who can see how to help alcoholics in earlier stages. All Watsons subjects agreed to being filmed whilst they were drunk before the filming commenced, and so the question is not should Watson have kept filming?, but rather should Watson have included that part of the footage?. After drinking heavily, people are definitely not in a normal status, which lead to a question that in what situation Paul Watson get the consent from these alcoholics. This film must encounter with some ethics problems and Pauls observational style should instigated arguments. Paul Watsons attempt to defend himself and his arguments against the accusations do make sense. There were a couple of moments where I felt that he distracted from what we really should have been looking at. MINNEAPOLIS (WCCO) -- Former WCCO sports director Mark Rosen says that his wife Denise has died, three years after being diagnosed with brain cancer. I find it hard to imagine a way Watson could have made this film without the, sometimes unjust, use of the subjects. Here I refer to when he would talk to the viewer/camera about how he felt at certain points of the film it drew away from the importance of what he should have really been filming and instead became self indulgent within the context. The subjects are very vulnerable and Watson knew this, therefore ethical issues due to the interference of reality from Watson. (2006). 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